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The Social Network: the kink meme!

It's Complicated: But sexy!

zuckonitkinkeme zuckonitkinkeme wrote in tsn_kinkmeme
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♥ post requests and responses in the comments to this post.
♥ be respectful.
♥ both a pairing/character AND a prompt/kink must be posted.
♥ one pairing/prompt per comment please.
♥ you are encouraged to try and write a prompt for every request you make.
♥ we are slash, femslash, het, three-and-moresomes etc. friendly. (we are even incest friendly what with some of our characters being twins and all...)
♥ no pairing bashing, OK? no need to wank over ships.
♥ long and short fics welcome. multiple responses encouraged!
♥ please try to refrain from saying 'seconded!' as much as possible.
♥ on RPF: Please disclaim that it is RPF, a work of fiction and in no way related to the actual actors/persons/etc. (i wouldn't even try and discourage RPF from this meme ;))


♥ alphabetize pairings/threesomes/moresomes. (e.g. Eduardo/Mark/Sean etc.)
♥ put [RPF] before RPF prompts. (e.g. [RPF] Andrew/Jesse)
♥ for crossover prompts: "[Crossover], The Social Network Character(s)/Other Character(s), [Fandom]" (e.g. [Crossover], Eduardo/Columbus, [Zombieland])
♥ no "!" in pairings, only in descriptions. (e.g. Eduardo/Mark, FacebookCreator!Eduardo, CFO!Mark)
♥ anyone, everyone, no one? Use "Other." (e.g. Sean/Other)
♥ put [GEN] before GEN prompts.


♥ please don't embed. link to images/videos.
♥ no locked material. this includes communities, even if membership is open.
♥ fills can be posted anonymously or not.
♥ fills can be anything: fic, art, vid, fanmix, podfic, etc.
♥ all prompts are open to fills at all times, even if they have been filled in the past or are being currently filled by someone else. multiple fills are positively encouraged; if something appeals to you then do not be put off creating a new fill by the existence of a prior one.






have fun!

THERE WILL BE UNMARKED SPOILERS. enter at your own risk! :D


i know you guys are enjoying this meme and i appreciate that but please can you put the SUBJECT HEADER on your prompt. you would REALLY be helping me out if you could do that. it just saves time for me when i'm trying to tag everything in delicious.

AND PLEASE, PLEASE, PLEASE DO NOT repost prompts from part one over here again. the delicious is around for people to find prompts they may not have already seen.

Cameron/Tyler, Divya

Werewolf AU! Of course Cam and Ty are a pack, but do they make Div part of it?

there's more than flesh and bones (filled)

i'm sorry this took a bit longer than expected. but here it is! finished. I hope you enjoy: there's more than flesh and bones; cameron/tyler, divya (werewolf au | pg-13).

Mark/Eduardo - Doctor Who Crossover! Mark!Master Eduardo!Doctor

In fog watch form, the Master and the Doctor end up students at Harvard, but their personality actually kind of leaks through. Ever wonder how an econ major who's a junior and a freshman CS major become friends? It's because subconscious time lord-yness bonded them together. Duh.
Maybe they de-humanify just after the deposition? Maybe a lot after? Just give me time lord fic!

Chris/Dustin or Mark/Eduardo or [RPF] Andrew/Jesse

The only way to drink tequila is bodyshots!

(Deleted comment)

FILL: Introduction to Social Interaction (Part 1 of ?)

What I've written so far is based on/follows the timelines of Community 1.01 and 1.02, Pilot and Spanish 101. Most straight up dialogue from Community is in quotes, but mostly what Jeff says in the first part is from the show (I watched while I wrote) and there are little references to the actual script here and there. Disclaimer: I have nothing to do with The Social Network or Community in any capacity besides being a fan. I hope you enjoy reading this as much as I enjoyed writing it.

On the first day of the semester, Dean Pelton says that community college is for remedial teens, twenty-something dropouts, and middle aged divorcees.

He says nothing about teens that spent their high school career excelling at one thing, like computers, to the absolute exclusion of everything else, or whose once-wealthy fathers lost their fortunes in the stock market crash and can't afford Harvard.

Mark ends up in Spanish because his parents keep hounding him to learn a language - "A useful language, Mark, Latin doesn't count" - and Eduardo ends up in Spanish because he lived in Miami for a time and is already fluent in a romance language, so he expects it to be an easy A.

When Mark hears that the class has a study group, he decides he needs to go- Spanish isn't hard for him, not really, but Mark has always been a fan of letting other people do the work for him.

He recognizes Troy - Mark went to a rival high school and his sister dragged him to one football game, and Troy did a victory dance after every touch-down. Mark thinks Troy's a better dancer than football player, and better at being an asshole than dancing. He sees it in his head like an inequality: dickishness > dancing > football skills. Mark makes these judgements early.

And of course he'd heard of Annie. Everyone had heard of Little Annie Adderall.

The old, racist dude in the corner is Pierce, and he (incorrectly) introduces everyone around the table. Brittles. A-bed the A-rab. Roy. Princess Elizabeth. Eddie with the hair ("It's Eduardo, actually, but it's okay-"). And he introduces Mark - "I don't know his name; he hasn't said anything. But watch this kid type! Just watch him!" Mark glares.

Annie starts ranting and Abed references The Breakfast Club, which Mark has never actually cared to watch, so he tunes out the rest of the irritatingly loud conversation.

Jeff returns (Mark didn't even realize he'd left) and Mark starts listening again when Jeff starts talking about watching Shark Week, because he and his best friend Chris always watch Shark Week, and it seems like somebody in this room could actually identify with him. Jeff somehow segues from sharks to what's awesome about everyone and Jeff still doesn't know his name ("This kid is so, so good at computers, and it's kids like him that are going to bring the United States through the next technological revolution.") He figures nobody's actually bothered to learn his name yet, and that's fine with him.

Jeff asks for everyone to look at the person next to them, and asks them to "extend the courtesy they extend sharks, pencils, and Ben Affleck," by forgiving the person next to them. Eduardo with the hair turns to Mark and says, "I forgive you," and Mark just gives Eduardo a quizzical look.

"What the hell are you forgiving me for? I don't even know you," he tries to say, but Jeff is onto the next kumbaya-circle love-your-neighbors exercise, and deems the group "a community."

There's something about this that Mark likes, which is weird- Mark operates with a general feeling that he doesn't belong anywhere, but a group of people he doesn't know at all have just willingly welcomed him into the fold, no questions asked. He'd barely even said anything. But for some reason he can't shake the feeling that he actually belongs here.

And that's kind of cool.


Re: FILL: Introduction to Social Interaction (Part 3 of ?) - (Anonymous), 2011-03-11 08:45 pm (UTC)(Expand)
Re: FILL: Introduction to Social Interaction (Part 3 of ?) - (Anonymous), 2011-03-12 01:14 am (UTC)(Expand)

Eduardo/Mark or Chris/Dustin

(207): Either this is the best sandwich I've ever had, or my stomach is just relieved to have something in it that's not Red Bull or semen.


Eduardo/Mark Neighborhood Mystery AU

There are many stories about the teen who lives in the mansion on the edge of town. People only see a glimpse of him sometimes through a curtain or perhaps they double take when Mr. Saverin's limo exits the compound gate. All the neighborhood kids want to know what his deal is. Is there something wrong with him? Why is he kept locked up? Is Mr. Saverin, with his weird accent and slicked back hair, conducting experiments on his son in their huge creepy house? Mark, being the ever logical type, decides there must be some simple explanation for the mysterious Saverin kid and figures out a way to meet him the summer before he goes off to college.

Dustin and Chris as Mark's neighborhood friends! Eduardo being pale and totally bizarre but Mark being kind of totally and instantly in love with him anyway. cue secret summer relationship! Conflict! Firstsss! Want Weirdo Wardo so much!

Re: Eduardo/Mark Neighborhood Mystery AU

Is it cool if the reason Wardo is locked up isn't for any really malicious reason? Like the reason is misguided but there are sort of legit reasons?

Re: Eduardo/Mark Neighborhood Mystery AU - (Anonymous), 2011-02-04 12:25 pm (UTC)(Expand)



All I heard was "I swear it'll be funny" and then we were in jail

FILL (1/2)

It was the first Wasted Wednesday of the school year; AEPI might throw lame themed parties, but they did not skim out on the liquor. He thought that if he stayed away from the hard stuff - like the Jäger bombs that Dustin kept downing - he would be fine. Who knew margaritas could be so strong? Though he kind of knew that at some point, he was just drinking tequila from a soda can that someone (probably Dustin) filled for him. 

At around one am, Chris was miraculously sober enough to realize that he should call it a night. Mark and Eduardo had left the party half an hour ago with Eduardo's hand tucked in Mark's back pocket. Chris wasn't surprised; they barely knew how to keep it subtle when they were sober, what chance did they have intoxicated?

Setting down the soda can filled with tequila and bits of vanilla coke, Chris set out to find Dustin. It wasn't a challenge because 1) the house was sparsely occupied, and 2) Dustin was dancing on the coffee table and singing "Don't Cry For Me, Argentina" at the top of his lungs over the hip hop blasting from a iPod. He wouldn't have thought Dustin to be a musical theater kind of guy. 

"Dustin," Chris called out, extending both hands to coax Dustin down. "Come on. Let's go home."

"But, Chris! The people of Argentina need me!" Dustin slurred and threw his fist into the air. "I'm their Madonna! Me!"

"No, okay, the Argentinians will still be here tomorrow and you aren't Madonna. We are - get down, Dustin. We're going home."

Dustin pouted, but he did step down from the table. He waved to the uninterested crowd and begged them not to cry over his departure. Chris chuckled as Dustin blew good-bye kisses to the party-goers. He wrapped an arm around Dustin's shoulder and guided him out of the front door. 

The November night slapped them in the face as soon as they stepped out. It was then that he remembered their coats were somewhere in the house, and if they wanted to survive the fifteen-minute walk to their dorm, he would need them. 

"Dustin, wait here." Chris was sitting Dustin down on the curb. "I'll be right back."

"Don't leave me," Dustin whimpered, latching onto Chris's arm like a koala. 

Chris smiled and stroke Dustin's hair. He might have leaned in and planted a kiss, or maybe he just lost balance and buried his mouth on top of Dustin's head. He pulled his arm out of Dustin's grip and raised his hand to gesture "five minutes." Dustin nodded and obediently pulled his knees to his chest, and started to rock back and forth. 

Chris jogged back into the house and searched for their coats. One of the AEPI brothers was sitting on them, and Chris had to - against his will - take a shot of vodka before the frat boy handed over the coats. The whole ordeal took longer than five minutes, but Chris didn't think that so much could go wrong in five minutes. 

FILL (2/2) - (Anonymous), 2011-03-26 11:54 am (UTC)(Expand)
Re: FILL (2/2) - (Anonymous), 2011-03-27 06:15 am (UTC)(Expand)
Re: FILL (2/2) - (Anonymous), 2011-03-27 05:23 pm (UTC)(Expand)
Re: FILL (2/2) - fatal_scribbles, 2012-11-14 01:58 am (UTC)(Expand)



The meeting is at the same hotel we go to for sex. Avoiding eye contact with all the staff there.


After the depositions Eduardo decides to leave everything behind and go traveling around the world. Something happens that makes Mark see reason and he goes after him, ending up chasing Eduardo through several countries. (this part is totally optional: Mark has trouble finding Eduardo until he realizes Eduardo has already told him, at one time or another, of all the places he wants to go)

Eduardo/Girl!Mark High School AU

I'm sorry for the very specific prompt: Eduardo is the popular boy in school, son of a rich business-man and well liked since he is nice and charming towards everyone. Mark hates him at first, because everyone likes him so naturally there has to be something wrong with him. But somehow they find each other anyways.
PS. Browniepoints and endless worship if backseat car sex is involved some how (lol I'm such a perv)

FILL: Eduardo/Girl!Mark High School AU. "all we want, baby, is everything." part 1/?

I don't normally do WIPs so this could get very strange very quickly. Also, get ready for every cliche of high school fic ever.

all we want, baby, is everything.

High school isn’t what the movies promise.

It’s neither better nor worse than the fictional ideal, just different. The classes are monotonous, the social structure written in stone and it’s hard, it’s hard all the time. But these are all things Mark doesn’t think about. Actually, these are the types of things she spends a lot of time actively not thinking about.

Or at least, she used to.


The worst thing about mornings isn’t the ring of the alarm, or how coffee doesn’t kick in until second period, or even the actual having to go to school part. The worst thing about mornings is homeroom.

Homeroom, where the geriatric Ms. Philips, who smells like cigarette smoke and cats, calls roll in her nasal equivalent of a voice and always says “Marcia Zuckerberg” even though she’s had Mark in class for over a year and should know better. Homeroom, where Dustin spends the hour flicking bits of paper at Chris, who is nearly asleep, as the two bleach-blonde girls to Mark’s left trade lip-gloss application tips or what the fuck ever.

Homeroom is the worst part of Mark’s day. Nothing ever happens in homeroom.

On the second Thursday of September, something happens in homeroom.

A new student.

“Eduardo Saverin” he says, a laugh caught at the edge of his voice as he hands Ms. Philips the requisite attendance office green slip. Ms. Philips doesn’t make him introduce himself, just has him sit in the open seat on the far side of the room and goes on with her list.

Mark glances up, sees dark hair, the line of his neck as he turns to talk to Christy Lee. Mark looks down; she doesn’t think anything of it.


The winds of rumor keeping the walls standing is cliché but it isn’t a bad one.

The facts, according to Dustin, are as follows:

Eduardo Saverin: born in Brazil, grew up in Miami, just turned sixteen and doesn’t have any siblings. However, he does have rich father, a very rich father. Likes running, the color blue and, rather incongruously, math. Also, apparently enjoys wearing button-down shirts with blazers and doesn’t look uncomfortable among a group of people dressed primarily in t-shirts.

The last one isn’t so much Dustin as it is, well, Mark.

“…and they moved here because his father had a new business venture, whatever that means.”

“Shut up, Dustin.”

“Oh come on Chris, you know you’re curious.”

“There’s a difference between curiosity and displaying burgeoning stalker tendencies.”

“It’s just…”

“Shut up, Dustin,” Mark says before an asinine ending can be tacked on to that sentence.

“And she speaks! That’s the first sentence you’ve said today. I was sure you’d given up talking in some quest for a higher plane of coding.”

Chris looks at Mark, she raises an eyebrow. The both choose not to comment.

New business venture has a slightly illegal ring to it. Maybe his father is part of the mob. Maybe we have the head of a major Brazilian crime syndicate’s son at our school.” Mark tunes Dustin out about two words in. Mark can tune anybody out but she’s really good at doing so when it comes to Dustin, it’s the practice and all.

On the other side of the cafeteria Eduardo Saverin is sitting between Christy and one of the blondes from homeroom, Mark can’t tell which one from this distance (really, Mark can’t tell which one from any distance). The captain of the school’s crew team, a senior, is across from them, talking. Eduardo is nodding, is paying attention, his expression earnest but there’s a smile at the corner of his mouth.

Suddenly he looks up, catches Mark’s gaze over the shoulder of the crew captain, and holds it for a second with dark eyes. Mark stares back. One second. Two seconds. Three…

Chris jostles her with his shoulder. She doesn’t look back up to see what the new guy does.

"all we want, baby, is everything." 2/? - (Anonymous), 2011-02-12 03:58 am (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-12 04:05 am (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-12 11:00 am (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-12 02:59 pm (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-13 01:36 pm (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-15 10:45 pm (UTC)(Expand)
(Deleted comment)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-23 09:29 pm (UTC)(Expand)
Re: "all we want, baby, is everything." 2/? - (Anonymous), 2011-02-23 08:11 pm (UTC)(Expand)
"all we want, baby, is everything." 3a/? - (Anonymous), 2011-02-26 04:43 am (UTC)(Expand)
"all we want, baby, is everything." 3b/? - (Anonymous), 2011-02-26 04:46 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-02-26 05:33 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-02-26 08:59 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-02-26 11:37 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-03-09 12:33 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-03-12 02:29 am (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-03-12 01:01 pm (UTC)(Expand)
Re: "all we want, baby, is everything." 3b/? - (Anonymous), 2011-07-14 04:33 am (UTC)(Expand)

[Crossover] Mark/Eduardo [Criminal Minds]

Post-Movie, Eduardo goes missing and the dead bodies of young, rich men are found around town (New York maybe, idk). Mark finds out, and uses his power to get the best in the world on the job. He tries to be his distant and cold self and be all like "I have the money and his mom asked me really nicely", but the profilers see right through it and can see he is falling apart.

Re: [Crossover] Mark/Eduardo [Criminal Minds]

omg that would be so great! i haven't watched that show in years, but i want this so much!

[RPF] Andrew/Jesse

I hope lyrics-prompts are ok? Anyways vague prompt is very vague, and meant to be. Please interpret as you wish :)

"Most humbly on my bending knees/I'm begging you to help me, please"

We Move and Change (Yet We Go Nowhere), Prologue/?

A/N: Don't worry about it, OP. Skittish!Anon here is just a bit nervous about her first ever fic. Sooooo let's hope I do this right and don't bore you lot too much. This is un-beta'd due to my fear of revealing who I am, so I apologize for any mistakes that I may have missed in my proof-reads. I hope you enjoy!

Titled modified from Kate Havnevik's "Unlike Me", which is a beautiful song.


It all changed with that one phone call. Well, actually, he’s not sure where or when this change actually occurred. The story kind of comes to him in pieces, and not necessarily chronologically, either. Memories scattered here and there, moments from months earlier, maybe even longer. These millions of seemingly unimportant events that join together to create a whole image. It’s like drops of paint mixing to make the perfect shade, or placing brick on top of brick until a house is made. Or, most frequently in Jesse’s case, like those small worries that increase exponentially in number until he has to finally call one of his therapists at some ungodly hour of the morning to find a way to alleviate himself from the oncoming panic attack. Then again, Jesse figures most people don’t internalize every problem or flaw with themselves they’ve ever created a name for (if Jesse wrote down all the issues with himself that he had fretted over, the list would probably be comparable in length to a dictionary). No, most people probably just do something relaxing or take a day off to unwind and de-stress. Guess that’s just another way Jesse has discovered he’s not like “most people”.

And neither are a majority of the people in this story. This odd story that Jesse can’t for the life of him decide where it all began, and when (if at all) it ended. But, just for sanities sake, we’ll say the phone call is the beginning of this story.

We Move and Change (Yet We Go Nowhere), 1/? - (Anonymous), 2011-02-27 06:22 am (UTC)(Expand)
We Move and Change (Yet We Go Nowhere), 2/? - (Anonymous), 2011-02-27 06:33 am (UTC)(Expand)
We Move and Change (Yet We Go Nowhere), 3/? - (Anonymous), 2011-02-28 07:43 am (UTC)(Expand)
We Move and Change (Yet We Go Nowhere), 4/? - (Anonymous), 2011-03-01 10:04 am (UTC)(Expand)
Re: We Move and Change (Yet We Go Nowhere), 4/? - (Anonymous), 2011-03-01 10:32 am (UTC)(Expand)
OP - (Anonymous), 2011-03-13 08:12 pm (UTC)(Expand)

Mark/Eduardo unrequited love


You see, I lie a little every time I get on facebook. 

It asks me what's on my mind.

It's always you, but I wouldn't dare post that. 

eduardo/winklevoss non con eduardo/mark h/c

the winklevoss try to break eduardo, mark comforts him in the aftermath

Eduardo/Mark Pushing Daisies AU

Mark has never told anyone this, but his touch brings something or someone dead back to life. Post-movie, Eduardo dies (how is up to you) and Mark who has never used his power except when he was little and didn't know any better, finds Eduardo's body in the morgue and touches him.
The only problem is when you've touched someone and brought them back to life, if you touch them again they will be dead permanently. Mark also now has to figure out the logistics on how to hide Eduardo because everyone thinks he's dead.

Re: Eduardo/Mark Pushing Daisies AU

"You can't die of assholery..."
Sure you can. Happens all the time; you do something mean or hurtful to someone like betray your only friend... Bang! You're dead."

"Or bang! You're not really dead, you're just pretending to be dead while other people who think you're dead are heartbroken."

"Or bang! You talk too much and you both go wait in the car."


"Oh please! You love Facebook! You want to marry Facebook and have little half-human half-Facebook babies with Facebook!"


This is what you get until I'm finished. Dialougue.

Re: Eduardo/Mark Pushing Daisies AU - (Anonymous), 2011-03-14 11:01 am (UTC)(Expand)