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The Social Network: the kink meme!

It's Complicated: But sexy!

zuckonitkinkeme zuckonitkinkeme wrote in tsn_kinkmeme
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IMPORTANT: please DO NOT post prompts about any non-public people as part of a prompt. for example: randi zuckerberg is fine as she is a public figure both on the internet and on facebook itself. priscilla chan is NOT as she is not a public figure.

if you're in doubt, please message the mod or leave a comment in the discussion post.

♥ post requests and responses in the comments to this post.
♥ be respectful.
♥ both a pairing/character AND a prompt/kink must be posted.
♥ one pairing/prompt per comment please.
♥ you are encouraged to try and write a prompt for every request you make.
♥ we are slash, femslash, het, three-and-moresomes etc. friendly. (we are even incest friendly what with some of our characters being twins and all...)
♥ no pairing bashing, OK? no need to wank over ships.
♥ long and short fics welcome. multiple responses encouraged!
♥ please try to refrain from saying 'seconded!' as much as possible.
♥ on RPF: Please disclaim that it is RPF, a work of fiction and in no way related to the actual actors/persons/etc. (i wouldn't even try and discourage RPF from this meme ;))


♥ alphabetize pairings/threesomes/moresomes. (e.g. Eduardo/Mark/Sean etc.)
♥ put [RPF] before RPF prompts. (e.g. [RPF] Andrew/Jesse)
♥ for crossover prompts: "[Crossover], The Social Network Character(s)/Other Character(s), [Fandom]" (e.g. [Crossover], Eduardo/Columbus, [Zombieland])
♥ no "!" in pairings, only in descriptions. (e.g. Eduardo/Mark, FacebookCreator!Eduardo, CFO!Mark)
♥ anyone, everyone, no one? Use "Other." (e.g. Sean/Other)
♥ put [GEN] before GEN prompts.


♥ please don't embed. link to images/videos.
♥ no locked material. this includes communities, even if membership is open.
♥ fills can be posted anonymously or not.
♥ fills can be anything: fic, art, vid, fanmix, podfic, etc.
♥ all prompts are open to fills at all times, even if they have been filled in the past or are being currently filled by someone else. multiple fills are positively encouraged; if something appeals to you then do not be put off creating a new fill by the existence of a prior one.






have fun!

THERE WILL BE UNMARKED SPOILERS. enter at your own risk! :D


i know you guys are enjoying this meme and i appreciate that but please can you put the SUBJECT HEADER on your prompt. you would REALLY be helping me out if you could do that. it just saves time for me when i'm trying to tag everything in delicious.

AND PLEASE, PLEASE, PLEASE DO NOT repost prompts from parts one, two or three over here again. the delicious is around for people to find prompts they may not have already seen.

FILL: call to me with words i never knew (62/?)

The office is a blur of slightly manic productivity. Mark's trying to keep himself occupied, and there's a lot to do because there always is, and a lot of talks and paperwork and bullshit about Chris and David leaving. But he also doesn't want to leave anything unfinished today. He's leaving for PAO in the early afternoon and he doesn't want to have to come back after he drops Eduardo off to finish something he'd started in the morning – he knows he hasn't given Eduardo a lot of time on this but fuck, it feels so urgent, and Mark is going crazy for closure. Not to mention, they're going to need a new CFO one way or another in the very near future.

Mark doesn't know what he's envisioning, though – that he'll drive Eduardo back to his place and they'll just talk it all the fuck through until it's solved?

Well – ideally, yes. Maybe if Mark just aims for that then shit will take care of itself. It's worth hoping for. He heads out around three p.m., and Dustin gives him a thumbs up from across the office.

He's waiting in the pick-up lane at arrivals when Eduardo comes out, tugging his suitcase behind him like it's a dead weight. He's got his trademark Miami look on, the one like he hasn't slept in weeks, like he's carrying a load of a thousand unsolvable problems on his shoulders. Mark hopes he's not contributing too much that, those dark circles under Eduardo's eyes, the unhappy slant of his mouth. Mark only ever wanted the best – for them both to be happy, for them not to worry. He can't understand how it's come to this.

He gets out of the car on impulse as Eduardo approaches, comes around the front to stand on the curb.

"Hey," he says.

Eduardo drops his bags next to the car. "Hey," he says, and he sounds so exhausted, and then he steps forward and puts his arms around Mark's neck.

Mark stiffens slightly just in surprise, but Eduardo's face is buried in the crook of his shoulder, and Mark puts his hands on Eduardo's back and breathes him in and it feels like the first time they've seen in each other in years. Mark searches for some artificial well of distance between them and doesn't find one. It's comforting. This is a good place to start, held against each other and feeling as close as they've ever been on the curb outside arrivals.

He smiles a little sheepishly when Eduardo pulls away, but as Eduardo smiles back Mark can see how much weaker it is than usual, like a bulb that's going out. He throws Eduardo's bags in the trunk and they get in the car.