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The Social Network: the kink meme!

It's Complicated: But sexy!


zuckonitkinkeme zuckonitkinkeme wrote in tsn_kinkmeme
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[PART FOUR] CLOSED
THE SOCIAL NETWORK KINK MEME


ASK THE MODS * FAQ * DISCUSSION * RESEARCH * FILL LIST * PART ONE * PART ONE (OVERFLOW) * PART TWO * PART TWO (OVERFLOW) * PART THREE * (PART THREE (OVERFLOW)


GENERAL RULES;

IMPORTANT: please DO NOT post prompts about any non-public people as part of a prompt. for example: randi zuckerberg is fine as she is a public figure both on the internet and on facebook itself. priscilla chan is NOT as she is not a public figure.

if you're in doubt, please message the mod or leave a comment in the discussion post.



♥ post requests and responses in the comments to this post.
♥ be respectful.
♥ both a pairing/character AND a prompt/kink must be posted.
♥ one pairing/prompt per comment please.
♥ you are encouraged to try and write a prompt for every request you make.
♥ we are slash, femslash, het, three-and-moresomes etc. friendly. (we are even incest friendly what with some of our characters being twins and all...)
♥ no pairing bashing, OK? no need to wank over ships.
♥ long and short fics welcome. multiple responses encouraged!
♥ please try to refrain from saying 'seconded!' as much as possible.
♥ on RPF: Please disclaim that it is RPF, a work of fiction and in no way related to the actual actors/persons/etc. (i wouldn't even try and discourage RPF from this meme ;))
WARN FOR COMMON TRIGGERS, PLEASE




FORMAT OF PROMPTS;


♥ alphabetize pairings/threesomes/moresomes. (e.g. Eduardo/Mark/Sean etc.)
♥ put [RPF] before RPF prompts. (e.g. [RPF] Andrew/Jesse)
♥ for crossover prompts: "[Crossover], The Social Network Character(s)/Other Character(s), [Fandom]" (e.g. [Crossover], Eduardo/Columbus, [Zombieland])
♥ no "!" in pairings, only in descriptions. (e.g. Eduardo/Mark, FacebookCreator!Eduardo, CFO!Mark)
♥ anyone, everyone, no one? Use "Other." (e.g. Sean/Other)
♥ put [GEN] before GEN prompts.




FILLS;


♥ please don't embed. link to images/videos.
♥ no locked material. this includes communities, even if membership is open.
♥ fills can be posted anonymously or not.
♥ fills can be anything: fic, art, vid, fanmix, podfic, etc.
♥ all prompts are open to fills at all times, even if they have been filled in the past or are being currently filled by someone else. multiple fills are positively encouraged; if something appeals to you then do not be put off creating a new fill by the existence of a prior one.






[ARCHIVING]

[DELICIOUS]

[UNFILLED REQUESTS]

[FILLED REQUESTS]

[FLAT VIEW]


have fun!

THERE WILL BE UNMARKED SPOILERS. enter at your own risk! :D



PLEASE READ THE FOLLOWING;

i know you guys are enjoying this meme and i appreciate that but please can you put the SUBJECT HEADER on your prompt. you would REALLY be helping me out if you could do that. it just saves time for me when i'm trying to tag everything in delicious.

AND PLEASE, PLEASE, PLEASE DO NOT repost prompts from parts one, two or three over here again. the delicious is around for people to find prompts they may not have already seen.
Tags:

FILL: call to me with words i never knew (16/?)

(Anonymous)
They turn on Rocky after that and try to play a drinking game, but they keep forgetting the rules. As the coffee table becomes more and more cluttered with empties, drinking whenever Stallone throws a punch and whenever he says "yo" kind of just becomes drinking as often as possible.

Eduardo is pretty clearly falling asleep, though, and just as Mark starts itching to go and get his computer, Eduardo yawns and sighs and stretches his legs out across Mark's lap.

Mark looks at him kind of sharply, and Eduardo holds his gaze. His face flushed with alcohol and his eyes are still kind of wobbly, but the eye contact is penetrating all the same. It's like he's asking if it's okay, or – Mark isn't sure if Eduardo's testing or seeking permission or just being drunk and weird or what. He holds absolutely still.

Eventually Eduardo seems satisfied and he looks away, back at the movie, blinking heavily and settling in. Mark's having serious laptop withdrawal, but the weight of Eduardo's calves is anchoring, not to mention kind of comfortable, in that way that drunk people like to put their arms around each other, to touch. Mark has never really thought about that before. Chris and Dustin are tactile enough, but it's between the two of them. They know better than to try with Mark, which means that Mark has never really gotten to decide how much he hates it.

But the answer to that actually seems to be – well, less than expected, at least. Maybe it's just Eduardo. For some reason, Eduardo seems more able to get away with things like this than other people are for Mark. Mark isn't really sure how that was allowed to happen, but he tells himself that it's too late to fix it now.

So he sits there with Eduardo's legs in his lap, stiff but relaxing slowly, as the sound of Eduardo's breathing calms into a slow, soft rhythm.

The credits are rolling when Eduardo says sleepily, all of a sudden, "You should come to Miami." He yawns. His eyes are closed. "Or Saõ Paulo."

Mark is looking over at him, but he doesn't say anything else. It looks like he's fallen back asleep.

Mark leans his head back and lets out a breath, a bit shaky. He considers briefly and decides against lifting Eduardo's legs off of himself and going to bed. Sleep isn't overeager to come, though, and his eyes flicker behind their lids as he breathes shallowly, in and out, in and out. He feels heavy. He tries to let that become tiredness, tries to let the sound of Eduardo next to him lull him into that same state, but every time he focuses on Eduardo he feels more awake.

When he wakes up in the morning, he remembers that be lost count of how many times the DVD menu repeated itself at 28, so he thinks that must have been around the time he fell asleep. His body is aching slightly and his legs are interlocked with Eduardo's on the couch like the teeth of a zipper, haphazard and folded tight.

They both start into consciousness at the sound of a truck clattering over a pothole in the street outside, inhaling sharply and sitting up simultaneously. They're half-woven together and they look at each other for a long moment when their eyes are open and their heads are off their respective couch arms, and then Mark disentangles himself deliberately and stands, stretches, makes a grunting ascent at morning.

Eduardo lets his head thunk back down, and he rubs a hand over his eyes. They don't say anything. Mark chalks it up to psychosomatic hangovers but he knows it's really not that at all s– it's the prospect of what Eduardo's facing tomorrow, and it's what they talked about last night, and it might a little bit be the way they slept.

Only somehow that's more complicated than either of the other two things, and Mark doesn't think he has the energy to deal with it right now. He makes coffee for two and thinks that he'll probably code the entire time Eduardo is away.

He decides against mentioning what Eduardo said last night while he was half-asleep, about Mark coming to Miami. It feels like this time it's something Eduardo has to do on his own, and anyway, Mark doesn't know what he would say to Eduardo's father. He can't come up with anything very constructive or polite.

Re: FILL: call to me with words i never knew (16/?)

(Anonymous)
*dies*

I seriously need more of this. Like... now and always and forever. I've refreshed the page at least every 20 minutes and just... gah!!

Re: FILL: call to me with words i never knew (16/?)

I need more of this nooooooooooooooooooooooooooooooow. My addiction is so sad.

Re: FILL: call to me with words i never knew (16/?)

This is getting better and better! I can't wait for the next part!